In the dusty corners of soul music’s vast legacy, there are 7-inch records that never broke into the mainstream but pulse with raw emotion, grit, and groove. These three 45s are hidden treasures—each capturing a moment of longing, resilience, and soul-deep storytelling.

Jerry Jackson: You Don't Wanna Hurt Me / La-Dee-Dah (Ha-Ha-Ha)

Label: Kapp 448. Released 1962.

Label Owner:Dave Kapp

Label Address: 119 West 57th St. New York, NY, 139 East 57th St. New

York, NY (1954-1973)

A Side: You Don’t Wanna Hurt Me

B Side: La-Dee-Dah (Ha-Ha-Ha)

Jerry Jackson might not be a household name, but his voice hits like a velvet hammer. On "You Don’t Wanna Hurt Me", Jackson pleads with a quiet intensity, walking the tightrope between heartbreak and hope. It’s a beautifully orchestrated mid-tempo number, driven by strings and subdued horns. Flip it over and "La-Dee-Dah (Ha-Ha-Ha)" shifts gears into cheeky, finger-snapping territory—a playful, almost tongue-in-cheek groove that shows off Jackson’s versatility. A-side for the soul, B-side for the sass.

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Jewels: Gotta Find A Way / Opportunity

Label: Dimension 1034. Released 1964

Label Owner: Nevins-Kirshner Assoc. Inc., Screen Gems Inc.

Label Address: New York, NY (1962-1965)

A Side: Gotta Find A Way

B Side: Opportunity

DC's The Jewels bring tight harmonies and a subtle Motown edge on "Gotta Find A Way", a track full of yearning and drive. It’s got that ‘60s girl-group sheen but with an emotional weight that digs a little deeper. On the flip, "Opportunity" is a standout—a funky, minor-key stomper with grit and a message. There’s urgency in their voices, a hunger for more than what the world’s offering. This is soul with a backbone, equal parts sweetness and steel.

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Johnson Sisters: You Don't Want Me Any More / I Found My Place

Label: Broadway 400. Released 1964.

Label Owner: Henry "Juggy" Murray

Label Address: 725 Riverside Dr., New York, NY (1964-1968)

A Side: You Don’t Want Me Anymore

B Side: I Found My Place

This one’s pure heartbreak gold. "You Don't Want Me Any More" is a torch song dressed up in shimmering production—the kind of slow-burner that grabs your chest. The Johnson Sisters pour it all out with unfiltered vulnerability. Then, just when you think they’re down for the count, "I Found My Place" flips the narrative into one of empowerment. It’s a gospel-tinged affirmation, an emotional pivot that feels like a sunrise after a storm. Rare and real.

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When it comes to collecting vinyl, sometimes the 45 RPM singles are where the real magic happens. These short, sweet records capture moments of musical brilliance, packed with infectious grooves and raw energy. Today, we’re diving into three classic 45s that are sure to elevate any soul or R&B collection.

Tams: Find Another Love / My Baby Love Me

Label: General American 714. Released 1964.

Label Owner: Harry finger, Herb Gordon & Al Kelly

Label Address: 821 N. Broad St, Philadelphia, PA (1963-1965)

A Side: Find Another Love

B Side: My Baby Love Me

The Tams were known for their smooth yet catchy style, and this 45 is no exception. On the A-side, Find Another Love delivers a classic tale of heartbreak with a dose of upbeat soul. The track moves with a groovy rhythm that’s perfect for any dance floor. On the flip, My Baby Love Me brings a more tender side, with lush harmonies and sweet melodies that showcase their versatility. It’s a perfect pairing for lovers of 60s soul.

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Trumphs: You Gotta Dance / Bring It on Home to Me

Label: Cha Cha 747. Released 1966.

Label Owner: C/O Don-Dec Music

Label Address: 54 West Randolph, Chicago, IL (1959-1969)

A Side: You Gotta Dance

B Side: Bring It on Home to Me

The Trumphs’ You Gotta Dance is a call to action—an upbeat, high-energy track that compels you to get up and groove. With infectious horns and a rhythmic pulse that commands attention, this track is a perfect example of the exuberance of 60s soul. On the B-side, Bring It On Home to Me takes a more subdued approach with a soulful rendition of the Sam Cooke classic. It’s a beautiful contrast, showing the group’s range and their ability to switch from playful to heartfelt in the blink of an eye.

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Ronnie Taylor: I Can’t Take It / Without Love

Label: Nassau 101. Released 1966.

Label Owner: Bill Moss?

Label Address: Columbus, OH (1966)

A Side: I Can’t Take It

B Side: Without Love

Ronnie Taylor’s I Can’t Take It is pure, unfiltered emotion. With a stirring vocal performance and a killer rhythm section, the song has an intensity that resonates deep. It’s a quintessential example of the late 60s soul movement, where raw vulnerability and passion shine through. On the flip side, Without Love is a smooth ballad that highlights Taylor’s vocal dexterity. It’s a heartfelt track, carrying all the emotional weight you'd expect from an artist at the peak of his craft.

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If you're a fan of classic soul and rare grooves, these three 45 RPM records are the perfect way to spice up your collection. Each one offers a distinctive sound, from sultry ballads to groovy, upbeat tracks that have stood the test of time. Here’s a quick dive into some unforgettable cuts:

Gaylettes: Son of a Preacher Man / That’s How Strong My Love Is

Label: Hour Glass 005. Released 1968

Label Address: New York, NY (1969). Only 3 records released on this label

A Side: Son of a Preacher Man

B Side: That’s How Strong My Love Is

Released in 1968, this 45 features the Gaylettes' incredible take on the Dusty Springfield classic "Son of a Preacher Man." Their rendition is rich in harmonies and emotion, giving the song a soulful, gospel-tinged flair. On the B-side, "That’s How Strong My Love Is," they show off their vocal power, delivering a soulful ballad that encapsulates deep devotion and passion. A must-have for any soul lover.

Eddie Chappel: Hey Baby / Brother Man

Label: Natru 1939

Label Owner: Nate Griffin

A Side: Hey Baby

B Side: Brother Man

This 45, released in the late '60s, captures Eddie Chappel’s funky and soulful vibe perfectly. "Hey Baby" is a joyful, upbeat track that immediately hooks you with its infectious rhythm and playful energy. On the flip side, "Brother Man" offers a smoother, more introspective side, with a groovy bassline and heartfelt lyrics. This record showcases Chappel’s versatility and makes for an exciting addition to any soul collection.

Maggie Griffin: Boy Watcher / I’d Rather Have A Memory (Than A Dream)

Label: Tiki 778. Released 1969.

Label Address: North Carolina

A Side: Boy Watcher

B Side: I’d Rather Have A Memory (Than A Dream)

Released in 1969, Maggie Griffin’s "Boy Watcher" is an infectious, upbeat tune with a catchy chorus that brings a touch of youthful fun. The B-side, "I’d Rather Have A Memory (Than A Dream)," takes a more reflective approach with its lush, soulful melody, creating a beautiful contrast. Griffin’s rich vocal delivery shines throughout, making this 45 an essential find for those seeking hidden gems in the world of soul music.

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These three 45 RPM records showcase the rich diversity of vintage soul, funk, and instrumental grooves. From the heartfelt dual-part storytelling of the Epics' We Are Made As One to the passionate balladry and danceable funk of the Exotics, and the upbeat charm and playful rhythms of the Entertainers IV, each record offers a unique glimpse into the artistry and energy of the era. Perfect for collectors and fans alike, these tracks are a testament to the enduring magic of classic 45s.

Epics: We Are Made As One (Part 1) / We Are Made As One (Part 2)

Label: Bridge Town 100. Released 1969.

Label Owner: Herb Alpert & Jerry Moss

Label Address: 2004 16th St, San Fransisco, CA

A Side: We Are Made As One (Part 1)

B Side: We Are Made As One (Part 2)

The Epics' "We Are Made As One" is a soulful journey presented in two parts, showcasing both their tight harmonies and great instrumentation. Part 1 captures the emotional depth of the lyrics with a stirring vocal performance, while Part 2 transitions into a more instrumental groove, allowing the band’s rhythm section to shine. Together, these tracks exemplify the Epics’ ability to blend heartfelt storytelling with dynamic arrangements.

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Exotics: I’m Gonna Never Stop Loving You / Boogaloo Investigator

Label: Excello 2284 (Promo). Released 1967. 

Label Owner: Ernest L. Young

Label Owner: 177 Third Ave, Nashville, TN; 1011 Woodland St, Nashville, TN (1952-1974)

A Side: I’m Gonna Never Stop Loving You

B Side: Boogaloo Investigator

The Exotics deliver a double dose of energy and charm with this 45. "I’m Gonna Never Stop Loving You" is a passionate soul ballad with heartfelt vocals and lush backing, while "Boogaloo Investigator" shifts gears into a funky, high-octane instrumental that’s irresistibly danceable. This pairing highlights the Exotics’ versatility and knack for both tender emotion and rhythmic fun.

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Entertainers IV: It’s A Small World / Ride Around the Park (Instrumental)

Label: Dore 812. Released 1968.

Label Owner: Lou Befell and Herb Newman

Label Address: 1481 N. Vine, Hollywood, CA (1958-1987)

A Side:It’s A Small World

B Side: Ride Around the Park

The Entertainers IV present a unique blend of melody and groove on this record. "It’s A Small World" is a breezy, upbeat vocal track with a feel-good vibe, perfectly capturing the optimism of the era. On the flip side, Ride Around the Park (Instrumental) takes listeners on a carefree journey with its smooth rhythms and playful instrumental interplay. This 45 is a delightful snapshot of the Entertainers IV’s knack for delivering joy through music.

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In the golden age of 45 RPM records, every flip of the vinyl was a potential new discovery. Today, we highlight three standout records that exemplify the magic of this format, offering a window into a bygone era.

E. Jackie Hines: I’m So Glad / I’m Not the Fool

Label: Cosmic 101. Released 1976.

Label Address: 6515 Sunset Blvd, Hollywood, CA

A Side: I’m So Glad

B Side: I’m Not the Fool

E. Jackie Hines delivers a double shot of emotional depth on this release. On the A-side, “I’m So Glad” is a jubilant anthem of love and gratitude, carried by Hines’ dynamic vocal delivery and a groove-laden arrangement. The B-side, “I’m not the Fool,” flips the mood entirely—this is a defiant declaration of independence, with a bluesy edge that underscores Hines’ versatility. Together, these tracks showcase a unique blend of vulnerability and strength.  

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Pookie Hudson: Jealous Heart / I Know, I Know

Label: Double L 711. Released 1963.

Label Owner: Lloyd Price & Harold Logan

Label Address: New York, NY (1963-1966)

A Side: Jealous Heart

B Side: I Know, I Know

Best known as the lead singer of The Spaniels, Pookie Hudson’s solo work is no less captivating. “Jealous Heart” captures the ache of suspicion and longing, with Hudson’s signature silky voice weaving through lush harmonies. On the flip side, “I Know, I Know” offers reassurance and a soothing rhythm, making this record a masterclass in emotional nuance. Hudson’s ability to communicate heartbreak and hope within the same release is unmatched.  

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Hollywood Flames: I’m Gonna Stand By You / I’m Coming Home

Label: Symbol 215. Released 1966.

Label Owner: Henry “Buggy” Murray

Label Address: 525 Riverside Dr, New York, NY (1958-1966)

A Side: I’m Gonna Stand By You

B Side: I’m Coming Home

The Hollywood Flames were known for their intricate vocal arrangements, and this 45 is no exception. “I’m Gonna Stand By You” is a heartwarming ode to loyalty and love, with soaring harmonies that create a timeless feel. On the B-side, “I’m Coming Home” radiates joy and anticipation, capturing the excitement of a long-awaited reunion. These tracks highlight the group’s knack for blending doo-wop roots with pop appeal. 

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The 45 RPM record format was iconic in bringing vibrant, genre-spanning singles to listeners in a compact, collectible form. Each release told its own story, capturing the style and sentiment of its time. In this selection, three unique 45s highlight the diversity and emotion these records offered

Lullabyes: My Heart Cries for You / You Touch Me

Label: Dimensions 1039 (Promo). Released 1964.

Label Owner: Nevins-Kirshner Aossociation Inc. Screen Gems Inc.

Label Address: New York, NY (1962-1965)

A Side: My Heart Cries for You

B Side: You Touch Me

This soulful release by The Lullabyes delivers a blend of tender emotions and a classic sound. "My Heart Cries for You" draws on heartache and longing, showcasing powerful harmonies that elevate the song's yearning lyrics. On the B-side, "You Touch Me" switches the mood to a more hopeful and affectionate tone, with smoother melodies and a laid-back rhythm.

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Lady Margaret & The Stovall Sisters: If It Is Let It Be / Running the Wrong Way

Label: Gemini Records-7583. Released 1979.

Label Address: Oakland, CA (1979-1982)

A Side: If It Is Let It Be

B Side: Running the Wrong Way

This record captures the essence of gospel-inspired soul with a modern twist. "If It Is Let It Be" radiates a message of acceptance and peace, with Lady Margaret's rich, expressive vocals backed by the powerful harmonies of The Stovall Sisters. The flip side, "Running the Wrong Way," delivers a contrasting, high-energy track, tackling themes of redemption and life's tough choices.

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Love Kitten: Keep it Up / I Like Everything You Do

Label: Mos-Ley 5202. Released 1963.

Label Owner: J. Mosley

Label Address: 3100 South Vermont, Los Angeles, CA (1963)

A Side: Keep It Up

B Side: I Like Everything You Do

Love Kitten's 45 brings the playful energy of 60s pop to life. "Keep it Up" is a catchy, upbeat tune with a lively beat and flirtatious lyrics that capture the free-spirited vibe of the era. On the B-side, "I Like Everything You Do" continues the charm with a feel-good melody and lyrics full of admiration, making it a perfect complement to the A-side's infectious cheer.

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Here’s a journey through three soulful 45 records that capture the groove, grit, and artistry of their era. Each of these records is a slice of music history, embodying the pulse of soul and funk that defined the golden era of 45s. Whether you’re new to collecting or a seasoned fan, these 45s are must-haves!

Love, Devotion & Happiness / Yesterday’s Fool

Label: P.E.U. Jadan 101. (1970s)

A Side: Love, Devotion & Happiness

B Side: Yesterday’s Fool

This release brings infectious, uplifting vibes. "Love, Devotion & Happiness" is an anthem for good times, balancing smooth grooves with a danceable beat that’s both timeless and catchy. The flip side, “Yesterday’s Fool,” reveals a more introspective angle, with powerful lyrics that resonate deeply—perfect for those who crave a soulful touch with a dose of reality.

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Freddie Love: Everybody’s Doing It / Sea of Love

Freddie Love knows how to turn up the heat with "Everybody’s Doing It." With its irresistibly funky bassline and playful energy, it’s a certified party starter. On the other side, "Sea of Love" is a smooth, mellow groove that shows off Love’s range and his ability to deliver a laid-back, romantic vibe. This dual-track record showcases his versatility and charisma, making it a standout in any soul collection.

Label: Anla 123 (Promo) 1970s

Label Owner: Eddie Schuler

Label Address: 319 Church Street, Lake Charles, LA

A Side: Everybody’s Doing It

B Side: Sea of Love

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Love Committee: I Made A Mistake / Boogie Papers

Label: T-Electric 41189. Released 1980.

Label Address: 112 East Walton, Chicago, IL. (1962-1964)

A Side: I Made A Mistake

B Side: Boogie Papers

Love Committee shines with "I Made A Mistake," a track that combines rich harmonies and emotional depth, telling a story of regret with power and vulnerability. "Boogie Papers" is a perfect contrast, offering up an irresistible beat that’s all about getting lost in the rhythm. Together, these tracks capture the heart and soul of late 70s soul and disco, making it impossible not to hit the repeat button.

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The 45 RPM record format was home to countless soul and R&B treasures during the 60s and 70s, with many artists pressing singles that would become coveted finds for collectors today. These rare gems often showcase incredible talent that never fully broke into the mainstream, yet they remain essential pieces of music history. Here are three notable 45s that stand out for their soulful sound and captivating performances.

Fran-Cettes: Late in the Evening / Cradle of Love

Label: Besehe 100. Released 1963.

Label Address: Los Angeles, CA

A Side: Late in the Evening

B Side: Cradle of Love

The Fran-Cettes deliver a smooth, melodic vocal performance on Late in the Evening, an upbeat yet bittersweet track full of longing and nostalgia. The B-side, Cradle of Love, shifts into a more intimate mood, with lush harmonies that highlight the group's vocal chemistry. Both tracks embody the elegance of early 60s girl groups, making this 45 a must-listen for fans of the era.

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Fabulous Flames: Get to Stepping / Do You Remember

Label: Bay-Tone 102. Released 1960.

Label Owner: Bradley Taylor

Label Address: 1509 Fillmore St, San Francisco, CA (1958-1961)

A Side: Get to Stepping

B Side: Do You Remember

Get to Stepping by the Fabulous Flames is a fiery, fast-paced anthem of independence. The sharp brass arrangements and driving rhythm make it an instant dance floor hit. On the flip side, Do You Remember slows things down, with a smooth, heartfelt ballad that contrasts beautifully with the A-side’s high energy. Together, these tracks capture the Flames’ dynamic range and emotional depth.

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Bobby Foster: I’m So Glad / Where Do You Go

Label: Select-O-Hits 007. Released 1970.

Label Address: 809 Chelsea ave, Memphis, TN (1970-1989)

A Side: I’m So Glad

B Side: Where Do You Go

Bobby Foster’s I’m So Glad is a soulful expression of love and gratitude, with an infectious groove and catchy chorus that makes it stand out. Where Do You Go, the B-side, leans into a more contemplative vibe, addressing heartache and uncertainty. Foster’s rich vocals and the deeply felt lyrics make both songs timeless examples of classic soul storytelling.

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When it comes to classic 45s, each record offers a glimpse into the soulful expressions of its era. These tracks carry the raw emotions and distinctive sounds that have defined the soul and R&B genres, resonating with listeners across generations. Here's a closer look at three standout 45s that capture the essence of their time:

Cash McCall: More Power to You / I’ll Always Love You

Label: PS 501. Released 1971

Label Address: Detroit, MI

A Side: More Power to You

B Side: I’ll Always Love You

Cash McCall delivers a powerful one-two punch with this 45, showcasing his versatility and deep connection to the blues and soul traditions. "More Power to You" is an anthem of empowerment, driven by a strong vocal performance and tight instrumentation. On the flip side, "I’ll Always Love You" reveals a softer, more introspective side of McCall, with a tender melody and heartfelt lyrics that express unwavering devotion.

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Derek Martin: Sly Girl / Soul Power

Label: Volt 160. Released 1968.

Label Owner: Estelle Axton and Jim Stewart

Label Address: 926 East McLemore Ave, Memphis TN (1962-1975)

A Side: Sly Girl

B Side: Soul Power

Derek Martin's 45 offers a dynamic pairing of tracks that highlight his commanding vocal presence and soulful intensity. "Sly Girl" is a smooth, yet edgy, groove that captures the sly sophistication of its title character. Meanwhile, "Soul Power" lives up to its name, delivering a high-energy, foot-stomping experience that embodies the spirit of soul music. Together, these tracks are a testament to Martin's ability to blend rhythm and emotion effortlessly.

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Oscar Mack: You Never Know How Much I Love You / Dream Girl

Label: Stax 152. Released 1964.

Label Owner: Estelle Axton and Jim Stewart

Label Address: 926 East McLemore Ave, Memphis TN (1960-1982)

A Side: You Never Know How Much I Love You

B Side: Dream Girl

Oscar Mack's contribution to the 45 catalog is a deeply emotive experience, steeped in the rich tradition of love ballads. "You Never Know How Much I Love You" is a heartfelt declaration of love, delivered with sincerity and passion. "Dream Girl" complements this with a dreamy, romantic vibe, where Mack's smooth vocals and the lush arrangement create a sense of longing and idealized love. This 45 is a perfect example of Mack's ability to convey deep emotion through his music.

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In the world of vinyl, the 45 RPM single holds a special place, often showcasing the most heartfelt, raw, and sometimes forgotten tracks of the past. Today, we're diving into three standout 45s that deserve a spin on your turntable from Alvin Christy, the Catalinas, and Crystal Image.

Alvin Christy: I Don’t know What You Got / I’m So Prude (To Be A Man)

Label: Pin Point 101. Promo Copy. Released 1969.

Label Owner: A division of Kan Music (1968-1972). Only 4 records on this label, all by Alvin Christy.

A Side: I Don’t Know What You Got

B Side: I’m So Prude (To Be A Man)

Alvin Christy’s soulful single, "I Don’t Know What You Got," resonates with a deep, bluesy groove that hooks you from the first note. Christy’s voice carries a blend of vulnerability and strength, capturing the essence of someone grappling with love’s uncertainties. The B-side, "I’m So Prude (To Be A Man)," shifts gears with a confident, yet introspective vibe. It’s a testament to Christy’s range and his ability to convey profound emotion through his music.

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Catalinas: You Haven’t the Right / Tick Tock

Label: Scepter 12188. Released 1967.

Label Owner: Florence Greenberg

Label Address: 1874 Broadway, New York, NY; 1659 Broadway, New York, NY (1958-1975).

A Side: You Haven’t the Right

B Side: Tick Tock

The Catalinas bring a dynamic energy with their double-sided hit. "You Haven’t the Right" is a powerful declaration of self-worth and boundaries in love, driven by catchy melodies and tight harmonies. The flip side, "Tick Tock," offers a contrasting rhythm that’s both playful and urgent, echoing the relentless march of time. The Catalinas' knack for blending rich vocal arrangements with infectious beats makes this 45 a must-listen.

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Crystal Image: Gonna Have A Good Time / “Same” (Instrumental)

Label: IX Chains 7020. Promo Copy. Released 1976.

Label Owners: Furious Associates

Label Address: 1700 Broadway, New York, NY (1973-1976).

A Side: Gonna Have A Good Time

B Side: “Same” (Instrumental)

Crystal Image’s "Gonna Have A Good Time" is an anthem of joy and celebration. The infectious chorus and upbeat tempo are irresistible, promising exactly what the title suggests—a good time. The instrumental version on the B-side allows the listener to appreciate the intricate musicianship of the track, highlighting Crystal Image’s ability to craft feel-good tunes that stand the test of time.

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