In the rich tapestry of soul music, there are countless 45s that never hit the charts but remain timeless treasures for collectors and true lovers of the genre. These records capture raw emotion, studio grit, and the kind of vocal storytelling that defined an era. Here are three standout 45s—each one a glimpse into the heart of classic soul.

Eldridge Holmes: Where Is Love / Now That I've Lost You

Label: Deesu 320. Released 1968.

Label Owner: Marshall Seahorn & Allen Tousaint.

Label Address: 1211 St. Philip St, New Orleans, LA (1966-1970)

A Side: Where Is Love

B Side: Now That I’ve Lost You

New Orleans soulman Eldridge Holmes had a voice that could ache and testify in the same breath. On “Where Is Love,” Holmes pleads through a swampy Allen Toussaint production, blending Crescent City groove with deep-soul melancholy. Flip it over and “Now That I’ve Lost You” hits with a more upbeat rhythm but no less emotion—a perfect example of how Holmes could make heartbreak sound effortless and elegant.

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Terry Huff: Come On Around / I Wish

Label: Circle City 92682. Released 1982.

Label Owner: Tyscot Inc.

Label Address: 3403 N. Ralston Ave, Indianapolis, IN; 2607 N. Delaware, (Suite 21) Indianapolis, IN (1982-1987)

A Side: Come On Around

B Side: I Wish

Terry Huff’s 45 captures that smooth D.C. soul sound of the mid-’70s, dripping with warmth and sincerity. “Come On Around” rides an easy groove and gentle falsetto, inviting you into Huff’s world of mellow romance. The B-side, “I Wish,” is pure longing—lush strings and heartfelt delivery that echo the emotional honesty of his classic album The Lonely One. This is quiet storm before the genre had a name.

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Roy Hytower: I'm In Your Corner / It's Not What You Think Of Me

Label: Anthem 51009. Released 1972.

Label Address: 48 West 48th St. New York, NY (1972-1973)

A Side: I’m in your Corner

B Side: It’s Not What You Think of Me

Chicago’s Roy Hytower brought a bluesman’s grit to his soul recordings, and this 45 proves it. “I’m In Your Corner” is a declaration of loyalty with a punchy rhythm section and Hytower’s commanding delivery at the forefront. The flip, “It’s Not What You Think of Me,” digs deeper—moody and confessional, it’s the kind of record that hits harder with each listen. Hytower’s blend of gospel fire and streetwise soul makes this a must for deep collectors.

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There’s something magical about 45 RPM records - compact, gritty, and bursting with raw emotion. These little discs once ruled jukeboxes and radios, capturing the urgency of a moment, a heartbreak, or a plea for love. Today, we’re digging into three rare and powerful 45s that deserve a spot in any soul or R&B lover’s collection. From deep soul to girl group charm, these sides deliver emotion, groove, and a glimpse into the golden era of independent music.

The Profonix: Ain’t No Sun / Open Up Your Heart

Label: Davey-Paul 4023. Released 1969.

Label Address: Detroit, MI.  Only record released on this label.

A Side: Ain’t No Sun

B Side: Open Up Your Heart

Ain’t No Sun is a brooding deep soul burner, soaked in melancholy and anchored by gritty vocals and sparse instrumentation. On the flip, Open Up Your Heart offers a more hopeful, gospel-tinged groove, showing the group’s dynamic range. Though little is known about The Profonix, this 45 speaks volumes.

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Little Esther Phillips: While It Lasted / Why Should We Try Anymore

Little Esther Phillips: While It Lasted / Why Should We Try Anymore

Label: Lenox 5570. Released 1963.

Label Address: 157 West 57t St., New York, N.Y. (1962-1963)

A Side: While It Lasted

B Side: Why Should We Try Anymore

Esther Phillips was never one to hold back, and this 45 is a showcase of her mature, pain-etched voice. While It Lasted is a slow-burner drenched in regret, capturing the complex emotions of a love that couldn't last. The B-side, Why Should We Try Anymore, leans into country-soul territory - a perfect fit for Esther’s unique delivery.

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Pearlettes: Can I Get Him / Never Be Another Boy Like You

Label: Vee-Jay 422 (Promo). Released 1961.

Label Owner: Vivian & James C. Bracken

Label Address: 1640 Broadway, Gary, IN, 1155 E. 47th St., Chicago,

IL, 412 E. 47th St., Chicago, IL. 4747 Cottage Grove Ave., Chicago, IL, 2129 S. Michigan Ave., Chicago, IL, 1449 S. Michigan Ave., Chicago, IL. 1953-1966

A Side: CanI Get Him

B Side: Neve Be Another Boy Like You

This sugary-sweet girl group 45 is pure mid-'60s charm. Can I Get Him is upbeat, flirtatious, and full of yearning — the kind of track that made dance floors come alive. The flip side, Never Be Another Boy Like You, slows things down with a more reflective, heart-on-sleeve delivery.

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This month, we’re digging into three standout 45s that capture the raw energy and eclectic charm of vintage soul and R&B. From The Vibrations’ dancefloor-ready double-sider to the dramatic soul stylings of Australia’s Virgil Brothers, and the offbeat funk of the mysterious Vows single, each record offers a unique snapshot of a bygone era. Whether you're a crate-digger or a curious listener, these gems deserve a spot on your radar.

Vibrations: Watusi Time / Sloop Dance

Label: Okeh 7205 (Promo). Released 1964.

Label Owner:  Otto Heinman.

Label Address: 1473 Barnham Ave, Bridgeport, Ct. & 799 Seventh Ave. New

York, N.Y. (1951- !970)

A Side: Watusi Time

B Side: Sloop Dance

A lively double-sider from the energetic R&B group The Vibrations. Watusi Time delivers infectious dance-floor vibes in the tradition of early '60s dance craze tunes, while Sloop Dance keeps the groove going with a similarly upbeat, rhythmic flair.

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Virgil Brothers: Temptation 'Bout To Get Me / Look Away

Label: Rare Earth 5006. Released 1969.

Label Owner: Motown Records

Label Address: Detroit, MI. (1969-1976)

A Side: Temptation ‘bout to Get Me

B Side: Look Away

This Australian soul-pop trio channels a dramatic, orchestral soul sound. Temptation 'Bout To Get Me is a powerful, gospel-tinged ballad with rich harmonies, while Look Away offers a softer, reflective contrast that showcases their vocal range and emotional depth.

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Vows: Buttered Popcorn / "blank"

Label: V.I.P. 25016. Released 1965.

Label Owner: Berry Gordy Jr.

Label Address: 2647 Woodward Ave, Detroit, Mi. (1963-1972)

A Side: Buttered Popcorn

B Side: “blank”

Buttered Popcorn, a quirky, funky track likely inspired by the Motown tune of the same name, features cheeky lyrics and a bouncy rhythm. The B-side is unknown or unlisted, adding an element of mystery to this obscure but charming release.

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If you’ve ever fallen under the spell of a spinning 45, you know there’s magic in the grooves—especially when it comes to soul, funk, and sweet harmonies. This week, we’ve pulled three killer 45s from the crate that showcase everything we love about vintage soul: passion, grit, and hooks that linger long after the needle lifts.

Bobby Patterson: Busy, Busy Bee / Sweet Taste of Love

Label: Jetstar 113 (Clear Gold Vinyl) (Promo copy) Released 1968.

Label Owner:  John Howard Abdnor

Label Address: 825 Olive, Dallas, TX (1964-1970)

A Side: Busy, Busy Bee

B Side: Sweet Taste of Love

Dallas legend Bobby Patterson never misses. On "Busy, Busy Bee," he channels raw urgency into a funky, mid-tempo groove, buzzing with energy and a sly vocal delivery that makes the metaphor stick. Flip it over for "Sweet Taste of Love," a smooth, slow-burning soul ballad full of Southern charm and subtle heartbreak. Patterson’s range as a writer and producer shines here—both sides feel like separate moods from the same deeply felt life.

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Phenomenons: Without Your Love / You Gave Me Happiness

Label: AVI 191 (Promo) Released 1978.

Label Address: 9220 Sunset Blvd, Los Angeles, CA, 90069.

A Side: Without Your Love

B Side: You Gave Me Happiness

This one’s a lesser-known gem, but it hits like a lost classic. "Without Your Love" is a tender group harmony track—aching falsettos and tight doo-wop-style arrangements wrapped in that unmistakable lo-fi warmth. The B-side, "You Gave Me Happiness," leans brighter but keeps the sincerity, with sweet harmonies and a melody that feels like a slow dance at the end of a school gym prom. It's rare, it's real, and it deserves more love.

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Philly Devotions: Yeah, Yeah, Girl / I'll Never Color You A Rainbow

Label: Bry-Wek 1038. Released 1973.

Label Owner: Berry Gordy Jr.

Label Address: 4822 Woodland Ave. Philadelphia, Pa. 19143. Only 3 records released on this label.

A Side: Yeah, Yeah Girl

B Side: I’ll Never Color You A Rainbow

True to their name, Philly Devotions deliver East Coast sweet soul with polish and punch. "Yeah, Yeah, Girl" is a feel-good stepper, dripping with '70s Philly production—lush strings, tight rhythm, and infectious hooks. On the flip, "I'll Never Color You a Rainbow" slows things down with poetic heartbreak and gorgeous harmonies. It’s a smooth soul sermon, rich with emotion and that unmistakable Philly sophistication.

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For collectors of soul and R&B 45s, the thrill lies in unearthing forgotten sides that hit just as hard as the classics—but with the added satisfaction of obscurity. Here are three deep cuts you may not know but absolutely should.

Ty Hunter: Bad Loser / Something Like A Storm

Label: Chess 1893 Promo copy. Released 1963.

Label Owner:  Len and Phil Chess

Label Address: 5249 Cottage Grove ave, Chicago, IL; 750 East 4th St. Chicago, IL; 4750 S. Cottage Grove Ave, Chicago, IL; 2120 S. Michigan Ave. Chicago, IL; 320 East Twenty First St. Chicago, IL. (1950-1976.)

A Side: Bad Loser

B Side: Something Like A Storm

A longtime member of The Originals, Ty Hunter steps into the solo spotlight on this moody two-sider. "Bad Loser" is a brooding mid-tempo groover, heavy on regret and thick with swirling strings—soul for the early hours of a long night. Flip it over, and "Something Like A Storm" shows off Ty's vocal control and emotional range, delivering a sophisticated, near-psychedelic take on heartbreak. Quiet fire.

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Nita Hill: Cold At Night / All This

Label: Circle 951. Released 1964.

Label Owner: Distributed by London Records. (1964-1965.)

A Side: Cold at Night

B Side: All This

This one's a sleeper. Nita Hill brings a sharp, plaintive edge to "Cold At Night", a track that starts sparse and gradually builds into a haunting cry for warmth and connection. "All This" on the B-side flips the mood into a slow-burning torch ballad with gospel undercurrents—aching, powerful, and beautifully restrained. A perfect blend of vulnerability and grit.

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Headliners: Tonight's The Night / You're Bad News

Label: V.I.P. 25011. Released 1964.

Label Owner: Berry Gordy Jr.

Label Address: 2547 Woodward Ave, Detroit, Mi. (1963-1972.)

A Side: Tonight’s the Night

B Side: You’re Bad News

Here’s a group that knew how to work a dancefloor and a breakup ballad in equal measure. "Tonight's The Night" is a driving Northern Soul favorite—hard-hitting drums, punchy horns, and a vocal line built for shouting along in sweaty clubs. Meanwhile, "You're Bad News" proves they had range, dishing out a deliciously bitter mid-tempo track that smolders with sass and swagger.

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Sometimes, the best vinyl discoveries come with a theme. Today, we're spinning three 7-inch gems—all united under the letter "E": Elements, Entertainers, and Ethics. These names may not headline festivals, but their grooves hold weight in any serious crate-digger’s collection.

Elements: Prove It / Fever

Label: Saru 1226. Released 1971.

Label Owner:Chuck Brown

Label Address: 14009 Miles, Cleveland, Ohio (1970-1971)

A Side: Prove It

B Side: Fever

This hard-hitting funk 45 is all attitude and rhythm. “Prove It” comes out swinging with sharp horn stabs and a determined vocal delivery that demands attention. Flip it over, and you get “Fever,” a sultry, late-night burner with a simmering bassline and smoky keys. The Elements live up to their name—raw, natural, and essential.

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Entertainers: I'm In Love With You  / Hot On A Thang

Label: HMC 3991. Released 1983.

Label Owner: Nevins-Kirshner Assoc. Inc., Screen Gems Inc.

Label Address: Charlotte, NC

A Side: I’m in Love with You

B Side: Hot on a Thang

A stone-cold soul delight. “I’m In Love With You” oozes sincerity and features a velvet-smooth vocal over classic ‘70s instrumentation. But it’s the B-side, “Hot On A Thang,” that really brings the heat—a funky, uptempo jam that feels like a secret weapon for any soul-funk DJ. The Entertainers blend charm and groove in equal measure.

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Ethics: Good Luck / Who in the World

Label: Golden Fleece-3252.  Released 1974.

Label Owner: Henry "Juggy" Murray

Label Address: Philadelphia, Pa., CBS Inc. 51 West 52nd St, New York,

N.Y. (1973-1974)

A Side: Good Luck

B Side: Who in the World

Known for their smooth Philly soul sound, the Ethics offer two standout sides here. “Good Luck” is a bittersweet farewell with rich harmonies and lush string arrangements. “Who in the World” keeps the elegance flowing, serving up socially conscious lyrics wrapped in a warm, melodic groove. This 45 captures the emotional range that made Philly soul so unforgettable.

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In the dusty corners of soul music’s vast legacy, there are 7-inch records that never broke into the mainstream but pulse with raw emotion, grit, and groove. These three 45s are hidden treasures—each capturing a moment of longing, resilience, and soul-deep storytelling.

Jerry Jackson: You Don't Wanna Hurt Me / La-Dee-Dah (Ha-Ha-Ha)

Label: Kapp 448. Released 1962.

Label Owner:Dave Kapp

Label Address: 119 West 57th St. New York, NY, 139 East 57th St. New

York, NY (1954-1973)

A Side: You Don’t Wanna Hurt Me

B Side: La-Dee-Dah (Ha-Ha-Ha)

Jerry Jackson might not be a household name, but his voice hits like a velvet hammer. On "You Don’t Wanna Hurt Me", Jackson pleads with a quiet intensity, walking the tightrope between heartbreak and hope. It’s a beautifully orchestrated mid-tempo number, driven by strings and subdued horns. Flip it over and "La-Dee-Dah (Ha-Ha-Ha)" shifts gears into cheeky, finger-snapping territory—a playful, almost tongue-in-cheek groove that shows off Jackson’s versatility. A-side for the soul, B-side for the sass.

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Jewels: Gotta Find A Way / Opportunity

Label: Dimension 1034. Released 1964

Label Owner: Nevins-Kirshner Assoc. Inc., Screen Gems Inc.

Label Address: New York, NY (1962-1965)

A Side: Gotta Find A Way

B Side: Opportunity

DC's The Jewels bring tight harmonies and a subtle Motown edge on "Gotta Find A Way", a track full of yearning and drive. It’s got that ‘60s girl-group sheen but with an emotional weight that digs a little deeper. On the flip, "Opportunity" is a standout—a funky, minor-key stomper with grit and a message. There’s urgency in their voices, a hunger for more than what the world’s offering. This is soul with a backbone, equal parts sweetness and steel.

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Johnson Sisters: You Don't Want Me Any More / I Found My Place

Label: Broadway 400. Released 1964.

Label Owner: Henry "Juggy" Murray

Label Address: 725 Riverside Dr., New York, NY (1964-1968)

A Side: You Don’t Want Me Anymore

B Side: I Found My Place

This one’s pure heartbreak gold. "You Don't Want Me Any More" is a torch song dressed up in shimmering production—the kind of slow-burner that grabs your chest. The Johnson Sisters pour it all out with unfiltered vulnerability. Then, just when you think they’re down for the count, "I Found My Place" flips the narrative into one of empowerment. It’s a gospel-tinged affirmation, an emotional pivot that feels like a sunrise after a storm. Rare and real.

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When it comes to collecting vinyl, sometimes the 45 RPM singles are where the real magic happens. These short, sweet records capture moments of musical brilliance, packed with infectious grooves and raw energy. Today, we’re diving into three classic 45s that are sure to elevate any soul or R&B collection.

Tams: Find Another Love / My Baby Love Me

Label: General American 714. Released 1964.

Label Owner: Harry finger, Herb Gordon & Al Kelly

Label Address: 821 N. Broad St, Philadelphia, PA (1963-1965)

A Side: Find Another Love

B Side: My Baby Love Me

The Tams were known for their smooth yet catchy style, and this 45 is no exception. On the A-side, Find Another Love delivers a classic tale of heartbreak with a dose of upbeat soul. The track moves with a groovy rhythm that’s perfect for any dance floor. On the flip, My Baby Love Me brings a more tender side, with lush harmonies and sweet melodies that showcase their versatility. It’s a perfect pairing for lovers of 60s soul.

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Trumphs: You Gotta Dance / Bring It on Home to Me

Label: Cha Cha 747. Released 1966.

Label Owner: C/O Don-Dec Music

Label Address: 54 West Randolph, Chicago, IL (1959-1969)

A Side: You Gotta Dance

B Side: Bring It on Home to Me

The Trumphs’ You Gotta Dance is a call to action—an upbeat, high-energy track that compels you to get up and groove. With infectious horns and a rhythmic pulse that commands attention, this track is a perfect example of the exuberance of 60s soul. On the B-side, Bring It On Home to Me takes a more subdued approach with a soulful rendition of the Sam Cooke classic. It’s a beautiful contrast, showing the group’s range and their ability to switch from playful to heartfelt in the blink of an eye.

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Ronnie Taylor: I Can’t Take It / Without Love

Label: Nassau 101. Released 1966.

Label Owner: Bill Moss?

Label Address: Columbus, OH (1966)

A Side: I Can’t Take It

B Side: Without Love

Ronnie Taylor’s I Can’t Take It is pure, unfiltered emotion. With a stirring vocal performance and a killer rhythm section, the song has an intensity that resonates deep. It’s a quintessential example of the late 60s soul movement, where raw vulnerability and passion shine through. On the flip side, Without Love is a smooth ballad that highlights Taylor’s vocal dexterity. It’s a heartfelt track, carrying all the emotional weight you'd expect from an artist at the peak of his craft.

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If you're a fan of classic soul and rare grooves, these three 45 RPM records are the perfect way to spice up your collection. Each one offers a distinctive sound, from sultry ballads to groovy, upbeat tracks that have stood the test of time. Here’s a quick dive into some unforgettable cuts:

Gaylettes: Son of a Preacher Man / That’s How Strong My Love Is

Label: Hour Glass 005. Released 1968

Label Address: New York, NY (1969). Only 3 records released on this label

A Side: Son of a Preacher Man

B Side: That’s How Strong My Love Is

Released in 1968, this 45 features the Gaylettes' incredible take on the Dusty Springfield classic "Son of a Preacher Man." Their rendition is rich in harmonies and emotion, giving the song a soulful, gospel-tinged flair. On the B-side, "That’s How Strong My Love Is," they show off their vocal power, delivering a soulful ballad that encapsulates deep devotion and passion. A must-have for any soul lover.

Eddie Chappel: Hey Baby / Brother Man

Label: Natru 1939

Label Owner: Nate Griffin

A Side: Hey Baby

B Side: Brother Man

This 45, released in the late '60s, captures Eddie Chappel’s funky and soulful vibe perfectly. "Hey Baby" is a joyful, upbeat track that immediately hooks you with its infectious rhythm and playful energy. On the flip side, "Brother Man" offers a smoother, more introspective side, with a groovy bassline and heartfelt lyrics. This record showcases Chappel’s versatility and makes for an exciting addition to any soul collection.

Maggie Griffin: Boy Watcher / I’d Rather Have A Memory (Than A Dream)

Label: Tiki 778. Released 1969.

Label Address: North Carolina

A Side: Boy Watcher

B Side: I’d Rather Have A Memory (Than A Dream)

Released in 1969, Maggie Griffin’s "Boy Watcher" is an infectious, upbeat tune with a catchy chorus that brings a touch of youthful fun. The B-side, "I’d Rather Have A Memory (Than A Dream)," takes a more reflective approach with its lush, soulful melody, creating a beautiful contrast. Griffin’s rich vocal delivery shines throughout, making this 45 an essential find for those seeking hidden gems in the world of soul music.

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These three 45 RPM records showcase the rich diversity of vintage soul, funk, and instrumental grooves. From the heartfelt dual-part storytelling of the Epics' We Are Made As One to the passionate balladry and danceable funk of the Exotics, and the upbeat charm and playful rhythms of the Entertainers IV, each record offers a unique glimpse into the artistry and energy of the era. Perfect for collectors and fans alike, these tracks are a testament to the enduring magic of classic 45s.

Epics: We Are Made As One (Part 1) / We Are Made As One (Part 2)

Label: Bridge Town 100. Released 1969.

Label Owner: Herb Alpert & Jerry Moss

Label Address: 2004 16th St, San Fransisco, CA

A Side: We Are Made As One (Part 1)

B Side: We Are Made As One (Part 2)

The Epics' "We Are Made As One" is a soulful journey presented in two parts, showcasing both their tight harmonies and great instrumentation. Part 1 captures the emotional depth of the lyrics with a stirring vocal performance, while Part 2 transitions into a more instrumental groove, allowing the band’s rhythm section to shine. Together, these tracks exemplify the Epics’ ability to blend heartfelt storytelling with dynamic arrangements.

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Exotics: I’m Gonna Never Stop Loving You / Boogaloo Investigator

Label: Excello 2284 (Promo). Released 1967. 

Label Owner: Ernest L. Young

Label Owner: 177 Third Ave, Nashville, TN; 1011 Woodland St, Nashville, TN (1952-1974)

A Side: I’m Gonna Never Stop Loving You

B Side: Boogaloo Investigator

The Exotics deliver a double dose of energy and charm with this 45. "I’m Gonna Never Stop Loving You" is a passionate soul ballad with heartfelt vocals and lush backing, while "Boogaloo Investigator" shifts gears into a funky, high-octane instrumental that’s irresistibly danceable. This pairing highlights the Exotics’ versatility and knack for both tender emotion and rhythmic fun.

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Entertainers IV: It’s A Small World / Ride Around the Park (Instrumental)

Label: Dore 812. Released 1968.

Label Owner: Lou Befell and Herb Newman

Label Address: 1481 N. Vine, Hollywood, CA (1958-1987)

A Side:It’s A Small World

B Side: Ride Around the Park

The Entertainers IV present a unique blend of melody and groove on this record. "It’s A Small World" is a breezy, upbeat vocal track with a feel-good vibe, perfectly capturing the optimism of the era. On the flip side, Ride Around the Park (Instrumental) takes listeners on a carefree journey with its smooth rhythms and playful instrumental interplay. This 45 is a delightful snapshot of the Entertainers IV’s knack for delivering joy through music.

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