Every vintage record has a story. Sometimes that story belongs to the artist, and sometimes it can be found in the small independent label that released the music.

This month, we’re highlighting three interesting 45 rpm records from the Parker’s Records & Comics collection. They span nearly two decades and come from labels based in New York City, New Orleans and Little Rock.

The Heatwaves — “(Write It on the Blackboard) 99 Times”

Released in 1963, this 45 features “(Write It on the Blackboard) 99 Times” backed with “Holding Out” by The Heatwaves.

The record was released as Enjoy 2000 on Enjoy Records, a New York label owned by Bobby Robinson and Danny Robinson. The label operated from 271 West 125th Street in New York City from 1962 through 1982.

Record details:

• Artist: The Heatwaves
• A-side: “(Write It on the Blackboard) 99 Times”
• B-side: “Holding Out”
• Label and number: Enjoy 2000
• Released: 1963
• Label owners: Bobby Robinson and Danny Robinson
• Label location: 271 West 125th Street, New York, New York

Sharon Henderson — “Inside of Me”

Our second selection is Sharon Henderson’s “Inside of Me,” backed with “The Morning After.”

Released in 1981 as Melody World 111, the record came from Melody World, a New Orleans label owned by Tony Owens. The label operated from 1981 through 1990 and used a post office box in New Orleans as its address.

Record details:

• Artist: Sharon Henderson
• A-side: “Inside of Me”
• B-side: “The Morning After”
• Label and number: Melody World 111
• Released: 1981
• Label owner: Tony Owens
• Label location: P.O. Box 15051, New Orleans, Louisiana

Isaac Hayes — “Laura, We’re on Our Last Go-Round”

The final record is by legendary singer, songwriter and musician Isaac Hayes. “Laura, We’re on Our Last Go-Round” was backed with “Sweet Temptation” and released in 1970 as Pan American 500.

The Pan American label was based in Little Rock, Arkansas. What makes this release especially interesting to collectors is that it was the only record issued on the label.

Record details:

• Artist: Isaac Hayes
• A-side: “Laura, We’re on Our Last Go-Round”
• B-side: “Sweet Temptation”
• Label and number: Pan American 500
• Released: 1970
• Label location: Little Rock, Arkansas
• Notable fact: The only record released on the Pan American label

Discover More Vintage Records

These three releases are just a small sample of the thousands of collectible records available from Parker’s Records & Comics. Our online inventory includes vintage 45s and other records from major artists, regional performers and independent labels from across the country.

Collectors can browse our online selection to discover familiar favorites, unusual label variations and hard-to-find recordings. New vintage 45 rpm records are added regularly, so check back often to see what has recently arrived.

Whether you're hunting key issues, appreciating independent classics, or diving into the rich history of superheroes, comic books offer something for every collector. This week's spotlight features three memorable issues that stand out for very different reasons—from a major independent title to an iconic Batman adventure and one of the most influential creator-owned comics ever published.

Spawn #183

1st Morena Daughter of Spawn

Spawn #183 follows Al Simmons as shocking secrets come to light, culminating in the revelation of Morana's true identity. With dark forces closing in and the battle between Heaven and Hell escalating, this pivotal issue introduces a major new chapter in Spawn's mythology.

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Cerebus the Aardvark #21

1st Appearance of Captain Cockroach

Dave Sim's Cerebus the Aardvark helped redefine what independent comics could achieve. Issue #21 showcases the sharp wit, political satire, and evolving storytelling that transformed Cerebus from a humorous fantasy comic into one of the medium's most ambitious creator-owned series. It's an excellent example of why the title remains influential among comic historians and indie comic fans alike.

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Batman Vol. 1 #252

Batman Vol. 1 #252 is a standout Bronze Age issue featuring the Dark Knight during the acclaimed Dennis O'Neil and Neal Adams era. With a gripping mystery and classic artwork, it captures the darker, detective-focused storytelling that helped redefine Batman in the 1970s, making it a favorite among collectors.

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These three singles may not always receive the same attention as major-label hits, but they embody the creativity, passion, and authenticity that make collecting soul 45s so rewarding. Each record offers its own unique voice and perspective, reminding listeners why the format remains beloved by music enthusiasts and crate diggers alike.

Walter Hamilton: Ocean of Love / Searching

Label: Big H 244287 (1957-1958)

A Side: Ocean of Love

B Side: Searching

Walter Hamilton’s “Ocean of Love” is a smooth and emotionally rich soul recording that captures the warmth and longing that define many great independent releases of its era. Hamilton’s expressive vocal delivery glides over the arrangement with confidence, creating a song that feels both intimate and expansive. On the flip side, “Searching” leans into themes of desire and perseverance, driven by a compelling groove and a performance filled with sincerity. Together, the two tracks highlight Hamilton’s ability to balance romance with soul-stirring intensity.

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Joan Moody: Big Time Operator / Don't Do Me That Way

Label: TCF/Fox Family/Sylvia 122. Released 1965.

Label Owner: Henry Onorat

Label Address: 1721 Broadway, New York, NY, 157 West 57th St., New

York, NY (1963-1967)

A Side: Big Time Operator

B Side: Don’t Do Me That Way

Joan Moody brings attitude and charisma to “Big Time Operator”, a track that commands attention from its opening moments. Her powerful voice cuts through the rhythm section with authority, delivering lyrics that are equal parts sharp and engaging. The B-side, “Don't Do Me That Way”, reveals another side of Moody’s artistry, blending vulnerability with determination. The contrast between the two songs makes this 45 particularly rewarding, showcasing a vocalist capable of both strength and emotional depth.

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Catherine Miller: Life Is Like A Checkerboard / Don't Waste Your Time, Girl

Label: Tyson 100. Released 1975.

Label Owner: Peter Brown & Patrick Adams

Label Address: 976 Prospect Ave., Bronx, NY; 2143 Seventh St., NY(1975-1977)

A Side: Life Is Like A Checkerboard

B Side: Don’t Waste Your Time, Girl

Catherine Miller’s “Life Is Like A Checkerboard” offers a thoughtful take on life’s ups and downs, using its central metaphor to explore the choices and challenges that shape our journeys. Miller’s vocal performance is heartfelt and convincing, giving the song a reflective quality that lingers long after it ends. “Don't Waste Your Time, Girl” shifts the focus toward empowerment, delivering a message of self-worth and resilience. The pairing creates a compelling combination of wisdom and encouragement, making this 45 a standout example of soul music’s ability to inspire as well as entertain.

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If you are interested in purchasing one of these 45s from Parker’s Records please write down the Artist and Song Title while listening to the sound clips to make for an easy checkout experience. You can make purchases using our secure form.

Comic books have a unique ability to redefine characters, challenge expectations, and captivate readers across generations. Whether it's a fan-favorite antihero stepping into the spotlight, a legendary superhero confronting his greatest mystery, or a fairy tale universe reimagined for modern audiences, certain issues stand out as memorable milestones. Here’s a look at three notable comics that continue to attract collectors and readers alike.

Venom: Lethal Protector #1 (A) (First Series)

Released: February 1993 by Marvel Comics (Red Foil Cv.)

Released in 1993, Venom: Lethal Protector #1 marked the beginning of Venom’s first solo limited series. After years as one of Spider-Man’s most dangerous enemies, Eddie Brock found himself taking on a more complex role as an antihero. Set in San Francisco, the story explores Venom’s efforts to protect innocent people while battling both old enemies and new threats. The issue remains a key book for fans of the character and represents an important turning point in Venom’s evolution.

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Batman: Three Jokers #3 (H) (Incentive Contact Cover)

Released: June 2023 by D.C. Comics (Limited to 450)

The conclusion of the acclaimed Batman: Three Jokers storyline delivers answers to one of Gotham’s most intriguing mysteries. Written by Geoff Johns with stunning artwork by Jason Fabok, the series explores the shocking concept that there may be more than one Joker. Issue #3 brings emotional revelations for Batman, Batgirl, and Red Hood while offering a fresh perspective on the Dark Knight’s greatest foe. The Incentive Contact Cover edition is especially sought after by collectors due to its limited availability and striking design.

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Grimm Fairy Tales #1 (A) (1st Series)

Released: 2005 by Zenescope Entertainment.

Grimm Fairy Tales #1 launched a long-running franchise that reimagines classic fairy tales with darker themes and modern storytelling. Published by Zenescope Entertainment, the series introduces readers to Belinda, a mysterious guide who reveals the hidden consequences behind familiar fairy tale stories. Combining fantasy, horror, and morality tales, this debut issue helped establish a unique comic universe that continues to expand today.

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There’s something timeless about a great 45. Two songs, one small slab of vinyl, and enough heart, rhythm, and soul to last decades. Whether pulled from dusty bargain bins or treasured in a longtime collection, obscure singles often tell a richer story than the chart hits ever could. These three records — spanning sweet soul, early R&B, and dancefloor energy — capture the raw emotion and craftsmanship that made independent 45s such an important part of music history.

Maurice William and The Inspirations: The Day Has Come / Never Leave You Again

Label: Candi 1031. Released 1963.

Label Address: 617 W. 4th Street., Wilmington, De. (1961-1963)

A Side: The Day Has Come

B Side: Never Leave You Again

“The Day Has Come” carries an uplifting, almost celebratory warmth, driven by smooth group vocals and simple but effective arrangements. On the flip side, “Never Leave You Again” leans into romantic pleading, showcasing the emotional sincerity that made Williams such a compelling songwriter. The record feels intimate and unpolished in the best way possible — exactly the kind of authenticity collectors chase.

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Chuck Wright: It's A Lie / My Young Love

Label: Ember (Promo) 1102. Released 1964.

Label Owner: Jack Angel & Mercer Ellington

Label Address: 1697 Broadway, New York, NY, 236 West 55th St., New York, NY, 150 West 55th St. New York, NY (1953-1964)

A Side: It’s A Lite

B Side: My Young Love

Chuck Wright delivers a pair of songs soaked in heartbreak and longing. “It’s A Lie” hits with classic mid-century R&B drama, balancing restrained vocals against a moody groove that gives the song its emotional pull. Meanwhile, “My Young Love” softens the mood with a slower, more vulnerable performance. There’s an honesty to Wright’s delivery that makes both tracks feel deeply personal, as though they were cut in one take late at night. Records like this remind listeners how much feeling could fit inside two-and-a-half minutes.

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Don Wyatt: I've Got Myself to Blame / Everybody Let's Dance

Label: Garpax (Promo) 44174. Released 1963.

Label Owner: Gary Paxton

Label Address: 6385 Selma Ave, Hollywood, CA (1962-1965 & 1977)

A Side: I’ve Got Myself to Blame

B Side: Everybody Let’s Dance

Don Wyatt brings a different energy altogether. “I’ve Got Myself to Blame” mixes regret with swagger, driven by punchy rhythm and a vocal performance full of personality. But it’s “Everybody Let’s Dance” that really jumps from the speakers — a lively, infectious side built for crowded dance floors and jukebox play. Wyatt’s style bridges early rock ’n’ roll and R&B, capturing a period when genres overlapped freely and dance records ruled local scenes.

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If you are interested in purchasing one of these 45s from Parker’s Records please write down the Artist and Song Title while listening to the sound clips to make for an easy checkout experience. You can make purchases using our secure form.

There's a particular kind of magic locked inside a 7-inch single. No filler, no side roads — just two songs pressed into a few inches of vinyl, each one either making its case or fading into the pile. The three 45s below do exactly that: they make their case. Whether it's a lonesome plea for trust, a commander demanding silence, or a harmony group riding a groove into the sunset, each of these records carries something worth putting on repeat.

Duke Ekud: Please Believe Me / You Know I Love You

Label: Spec 11553. Released 1964.

Label Address: 43 (or 45?) South Street NW, Washington DC (1961-1968)

A Side: Please Believe Me

B Side: You Know I Love You

Duke Ekud's 1964 debut 45 — pressed by Rite Record Productions and written by the man himself — is the sound of someone who has run out of everything but sincerity. "Please Believe Me" leans into that classic early soul urgency, the kind that sits right at the junction of gospel fervour and pop heartbreak. Ekud wrote both sides, which gives the record a coherent emotional logic: the A-side pleads for faith from a lover who has every reason to doubt, while "You Know I Love You" on the flip attempts to close the case with a warmer, more assured declaration. As self-produced documents of a specific moment in early 60s soul go, this one is quietly compelling — a genuine artefact of someone putting it all on the line for two and a half minutes at a time.

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Eddie Edwards: Hush Your Mouth (Pt.1) / Hush Your Mouth (Pt.2)

Label: The matrix number in the dead wax is etched V-1627

A Side: Hush Your Mouth (Pt.1)

B Side: Hush Your Mouth (Pt 2.)

Some songs say everything they need to in the title, and "Hush Your Mouth" is one of them. Eddie Edwards cuts a commanding figure across both parts of this two-sided workout, a record that trusts its groove enough to let the party run all the way over the label and onto the flip. Part 1 sets up the premise — Edwards is not interested in excuses, explanations, or any back-talk whatsoever — while Part 2 takes the same energy and pushes it further into funk and instrumental territory, giving the rhythm section room to breathe and strut. It's the kind of record that sounds best at considerable volume, the sort of 45 that was clearly made for a dancefloor and hasn't forgotten it.

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Entertainers IV: It's A Small World / Ride Around The Park (Instrumental)

Label: Dore 812. (Promo). Released 1968.

Label Owner: Lou Bedell & Herb Newman

Label Address: 1481 N. Vine (At Sunset), Hollywood, CA. (1958-1987)

A Side: It’s A Small World

B Side: Ride Around the Park

The Entertainers IV were one of the key harmony groups on Lew Bedell's Los Angeles-based Doré label — a tight-knit soul scene that also nurtured the Superbs and the early Whispers, with members eventually moving between all three acts. Their take on "It's A Small World" strips away any novelty and replaces it with West Coast soul class: close harmonies, polished production, and a genuine sweetness that never tips into saccharine. The flip, "Ride Around The Park," lets the instrumentalists show off, an easy-rolling groove that earns its place as a companion rather than an afterthought. Together the two sides capture what Doré did best — accessible, carefully made soul music from one of LA's most undersung corners of the 1960s.

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If you are interested in purchasing one of these 45s from Parker’s Records please write down the Artist and Song Title while listening to the sound clips to make for an easy checkout experience. You can make purchases using our secure form.

There’s something special about digging into old 45s—the crackle, the raw emotion, the stories tucked into two-and-a-half-minute grooves. These three records may not headline every soul or R&B compilation, but each carries a distinct voice and vibe that deserves a closer listen.

Don Hysong: Baby Here's My Heart / I've Got To Get Away

Label: Bard 1012. Released 1967 (Only 4 records released on label. Bard

1012 & 1013 are by same artist. All 4 released in 1967)

Label Owner: C. Percy (Don) White

Label Address: Detroit, MI

A Side: Baby Here’s My Heart

B Side: I’ve Got to Get Away

Don Hysong’s pairing feels like two sides of the same restless coin. “Baby Here’s My Heart” leans tender and pleading, with a vulnerability that cuts through its modest production. Flip it over, and “I’ve Got To Get Away” shifts gears into urgency—less about love offered, more about escape demanded. Together, they sketch a portrait of someone caught between holding on and breaking free.

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Sam Hawkins: Bring It to Me / Run to Me

Label: Shell 1004/1003. Released 1966 (Only 4 records released on this label, 2 from 1964 & 2 from 1966)

Label Owner: Peroma Record Group, Inc.

Label Address: Chicago, IL

A Side: Bring It to Me

B Side: Run to Me

Sam Hawkins delivers a dynamic one-two punch here. “Bring It to Me” has that confident, almost conversational groove—equal parts invitation and command. On “Run to Me,” the tone softens into reassurance, trading swagger for warmth. The contrast between the two sides highlights Hawkins’ range, moving effortlessly from assertive to comforting without losing authenticity.

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Hollywood Flames: I'm Gonna Stand By You / I'm Coming Home

Label: Symbol 215. Released 1966.

Label Owner: Henry "Juggy" Murray

Label Address: 271 West 125th St., New York, NY & 725 Riverside

Dr., New York, NY (1958-1969)

A Side: I’m Gonna Stand by You

B Side: I’m Coming Home

The Hollywood Flames bring harmony-rich depth to their 45. “I’m Gonna Stand By You” is rooted in loyalty, its layered vocals reinforcing a sense of steadfast devotion. Meanwhile, “I’m Coming Home” carries a reflective, almost redemptive energy—less declarative, more introspective. It’s the sound of return, both physical and emotional, wrapped in classic group vocal style.

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If you are interested in purchasing one of these 45s from Parker’s Records please write down the Artist and Song Title while listening to the sound clips to make for an easy checkout experience. You can make purchases using our secure form.

There’s something magical about flipping through old 45s—the crackle, the label design, the feeling that you’ve discovered a secret the radio forgot. These three singles are prime examples of deep soul at its most raw and personal. From heartbroken confessionals to groove-driven declarations, each of these 45s captures lightning in a bottle.

Jimmy Wallace: Forever / How You Did Destroy

Label: Alpha 002. Released 1964.

Label Owner: C. Percy (Don) White

Label Address: 2020 Ridge Ave., Philadelphia, Pa. (1964-1965)

A Side: Forever

B Side: How You Did Destroy

Jimmy Wallace’s Forever is a slow-burning soul ballad drenched in longing. His vocal delivery feels intimate and slightly frayed around the edges—in the best way possible. There’s a pleading quality to his voice that gives the song a confessional tone, like you’re overhearing a late-night apology that might already be too late.

Flip it over to How You Did Destroy and the emotional temperature rises. The track leans heavier, with a darker lyrical core and a sense of betrayal that cuts deep. Wallace doesn’t just sing about heartbreak—he sounds like he’s living in the wreckage. It’s that unfiltered honesty that makes this 45 such a treasured find among deep soul collectors.

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Spencer Wiggins: Love Machine / Love Me Tonight

Label: Fame 1463. Released 1969.

Label Owner: Rick Hall. Florence Area Music Enterprises.

Label Address: 603 East Avalon Ave, Muscle Shoals, AL

A Side: Love Machine

B Side: Love Me Tonight

Spencer Wiggins is a name that soul aficionados hold close, and this pairing shows why. Love Machine rides a tight groove—rhythm section locked in, horns punching through with urgency. Wiggins’ voice glides over the arrangement with that signature Southern ache, equal parts smooth and gritty.

On Love Me Tonight, the vulnerability comes forward. The production pulls back just enough to spotlight his phrasing, which carries a conversational ease. There’s an immediacy here—no overproduction, no polish for polish’s sake—just pure Memphis soul energy pressed into seven inches of wax.

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Anita Washington: (I'm) Afraid to Try Again / "Same" (Promo)

Label: Siamese 3.

A Side: (I’m) Afraid to Try Again

B Side: “Same” (Promo)

Anita Washington’s (I’m) Afraid to Try Again is deep soul at its most vulnerable. Her voice trembles with hesitation, capturing that fragile space between wanting love and fearing its consequences. The arrangement—subtle strings, steady drums—frames her vocal without overshadowing it.

The promo flip, “Same”, offers a fascinating contrast. While still rooted in emotional storytelling, it carries a slightly different energy—less fragile, more resolute. Washington commands the track with a quiet strength, making this 45 especially prized among collectors who appreciate nuanced, under-the-radar female soul performances.

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If you are interested in purchasing one of these 45s from Parker’s Records please write down the Artist and Song Title while listening to the sound clips to make for an easy checkout experience. You can make purchases using our secure form.

There’s something magical about a great 45: two sides, a tight window, and nowhere to hide. The best ones feel like tiny worlds—fully formed in under three minutes. Here are three singles that do exactly that, each coming from a different emotional lane but all hitting with real personality.

Roy Hamilton: She’s Got A Heart / The Impossible Dream

Label: RCA 8833. Promo Copy. Released 1966. (1951-2025)

A Side: She’s Got A Heart

B Side: The Impossible Dream

Roy Hamilton’s voice is pure velvet-and-steel, and this pairing shows his range beautifully. “She’s Got A Heart” is classic, grown-up soul—romantic without being syrupy, dignified but still deeply felt. Flip it over and “The Impossible Dream” turns theatrical in the best way, with Hamilton leaning into the drama and selling every aspirational line. It’s big, bold, and unapologetically emotional.

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Hi Fashions: Mr. Policeman / Billy Knows

Label: DynoVoice 212. Released 1965.

Label Owner: Bob Crewe.

Label Address: 1650 Broadway, New York, NY (1965-1969)

A Side: Mr. Policeman

B Side: Billy Knows

This one crackles with street-level energy. “Mr. Policeman” rides a gritty groove, mixing social tension with raw funk attitude—equal parts protest and party. “Billy Knows” keeps the edge but shifts the focus, telling its story with swagger and just enough menace. The Hi Fashions sound locked in here: tight band, sharp vocals, no wasted space.

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Joy Holden: Blowing Out The Candles / Teenage Rage

Label: Magnum 725. Released 1965.

Label Address: Los Angeles, CA (1964-1968)

Label Owner: Roger Davenport & Hunter Hancock.

A Side: Blowing Out the Candles

B Side: Teenage Range

Pure teen drama, pressed into vinyl. “Blowing Out The Candles” captures that fragile, hopeful moment between childhood and whatever comes next, while “Teenage Rage” flips the mood into something more restless and defiant. Joy Holden’s voice carries both innocence and bite, making this 45 feel like a snapshot of growing pains—awkward, emotional, and totally relatable.

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If you are interested in purchasing one of these 45s from Parker’s Records please write down the Artist and Song Title while listening to the sound clips to make for an easy checkout experience. You can make purchases using our secure form.

These three 45s capture different shades of soul, from introspective slow burners to confident, socially aware grooves. Each record balances emotion and musicianship, showing how much feeling and personality artists could pack into just a few minutes on wax.

Hewitt: Is It Me Part 1 / Is It Me- Part II

Label: Wee 92272. Released 1969.

Label Owner: Lonnie Hewitt.

Label Address: 988 42nd St., Oakland, CA. (1965-1967)

A Side: Is It Me Part 1

B Side: Is It Me Part II

Hewitt’s “Is It Me” unfolds like a late-night conversation with yourself, split into two complementary parts. Part 1 sets the mood with a smooth, reflective vocal and restrained instrumentation, while Part II deepens the feeling, stretching the groove and emotional tension. Together, the sides feel personal and searching, driven by vulnerability rather than flash.

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Sharon Henderson: The Morning After / Inside Of Me

Label: Ready World 111. Released 1981.

Label Owner: Tony Owens.

Label Address: P.O. Box 15051, New Orleans, LA. (1981-1990)

A Side: The Morning After

B Side: Inside of Me

Sharon Henderson delivers soulful honesty on both sides of this 45. “The Morning After” carries a sense of reflection and emotional clarity, while “Inside Of Me” turns inward, leaning on heartfelt vocals and a warm, intimate arrangement. It’s a record that highlights expression and feeling, letting the emotion lead every note.

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Cyrus Hayes: Right Back For More / Mr. President

Label: Big Boy 17344. Released 1988.

Label Address: 6430 S. Greenwood, Chicago, IL.; P.O. Box 53297 Chicago IL. (1985-1988?)

A Side: Right Back for More

B Side: Mr. President

Cyrus Hayes brings confidence and range to this pairing. “Right Back For More” is driven by a strong groove and assertive delivery, built for repeat listens, while “Mr. President” adds a more thoughtful, socially aware edge. Together, the sides show Hayes balancing dancefloor appeal with message and purpose.

Sound Clips and Order Information

If you are interested in purchasing one of these 45s from Parker’s Records please write down the Artist and Song Title while listening to the sound clips to make for an easy checkout experience. You can make purchases using our secure form.